List of Mentor Texts
I recently spent a week in Omaha, Nebraska conducting writing workshop inservices. The Omaha teachers were fabulous and had so much to offer! It was a high-energy, roll-up-our-sleeves week in which I was definitely both the teacher and the learner.
I was reminded of what a gift a two-day inservices can be. (I worked with teachers in grades 4-6 at the beginning of the week, primary teachers at the end.) One day of six traits or writer’s workshop is an introduction. By the end of two days, however, I’m fairly convinced that teachers have the information and practice they need to make significant changes in their teaching. (Big thanks to Christina Warner for arranging the perfect schedule.)
With both groups, we took some time to examine our favorite picture books and identify ways in which they could be used as mentor texts. Fourth Grade teacher Holly Sobota offered to compile a list and she’s given me permission to share this list with all of you. Thanks, Holly!
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Mentor Text
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Ideas for how to use the text
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Raising Mr. Yoder’s Barn
By Jan Yolen
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Word Choice, voice
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Dinosaur Days
By Liza Baker
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Organization, sentence fluency, voice (artistic voice)
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The Hello, Goodbye Window
By Norton Juster
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Voice, beginnings, endings
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The Adventures of Spider
By Joyce Cooper Arkhurst
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Word Choice, beginnings
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Froggy Goes to School
By Jonathan London
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Beginning, vivid verbs, onomatopoeia
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Is There Really a Human Race?
By Jamie Lee Curtis
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Endings, fluency, conventions
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Queen of the Class
By Mary Engelbreit
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Word Choice
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That’s Good, That’s Bad
By Margery Cuyler
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Organization-patterning Word Choice onomatopoeia, adjectives
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Fortunately
By Remy Charlip
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Organization-text and pictures (black/white) word choice, adverbs, prediction
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Falling for Rapunzel
By Leah Wilcox
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Word Choice, organization
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Amelia Bedelia
By Peggy Parish
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Organization: Order (first, then, next)
Word Choice: idioms
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Once I Ate a Pie
By Katy Schneider
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Personification
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Earth: Feeling the Heat
By Brenda Z. Guiberson
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Organization, vivid verbs, onomatopoeias
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Beardream
By Will Hobbs
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Voice, rule of 3, Native American-multicultural, beginning
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Hooway for Wodney Wat
By Helen Lester
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Word Choice (synonyms for talk), alliteration, strong verbs, pattern of 3
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The Relatives Came
By Cynthia Rylant
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Organization, “bookend” circular organization beginning and ending, symbolism, growing, ripening grapes represent the passage of time, descriptive writing, values, importance of the extended family
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We’re Going on a Bear Hunt
By Michael Rasen
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Voice, onomatopoeia, Organization-circular writing
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Woolbur by Leslie Helakoski
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Voice, circular writing, word choice
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Duck and Goose by Tad Hills
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Conventions-dialogue, Point of View
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Stand Tall Molly Melon
By Patty Lovell
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Organization-Repetition, circular, word choice, voice
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Moosetache by Margie Palatine
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Word Choice, Voice
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Foodle by Patricia Pavelka
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Voice, Word Choice, Conventions
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Purple Hair? I Don’t Care! By Dianne Young/Barbara Hartman
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Organization-surprise ending, word choice, voice, quality details
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The Great Fuzz Frenzy by Janet Stevens and Susan Stevens Grummel
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Word Choice
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Big Smelly Bear by Britta Teckentrup
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Organization-Voice
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The Crayon Box that Talked by Shane DeRolk
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Voice, Conventions, Free Verse Organization: Problem Solving
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You are Special by Max Lucado
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Organization-Rule of 3 Voice-character development
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The Tortoise and the Hare by Janet Stevens
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Organization-Rule of 3, Word Choice
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It’s Disgusting and We Ate It! By James Solheim
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Word Choice, Voice
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Take Me Out of the Bathtub
By Alan Katz
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Voice, Word Choice, Sentence Fluency
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Wiil Waal: A Somali Folktale by Kathleen Moriarty
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Ideas, Organization
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A Camping Spree with Mr. Magee By Chris Van Dusen
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Word Choice, Sentence Fluency
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The Velveteen Rabbit by Margery Williams
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Organization-Time Order
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Lighthouse Family Series: The Whale by Cynthia Relliant
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Voice
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Writing Center
I am posting my article about Writing Centers from my weekly primary newsletter in hopes that you will share your list! What works well for you? (scroll down)
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Dear Colleague, When considering what to post this week, I stumbled upon a wonderful article by Gayle Robe The article inspired me to think again about writing centers – an inviting place where all the luscious writing supplies are stored within students’ reach. Here is my thinking and a list of the items in my center. (If you need an explanation for any of the items on my list, you’ll find it in chapter 2 of my book No More I’m Done which you can read online.) Happy writing! Jennifer |
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Writing Center For a time, I secretly feared that the real purpose of the writing center was to indulge my love of office supplies. (Many of you have heard me say that I’m drawn to Staples the way other women are to shoe stores.) However, letting go of control of supplies helps your students behave independently and frees you to teach writing. After years of working in classrooms other than my own, I do believe having a supply center is essential to a well-oiled workshop. The writing center can be a permanent or mobile area in the classroom. I’ve seen writing materials rolled in on carts during writing time, or contained in shoe-pocket organizers that are prominently hung when needed. Here are the supplies I store in my writing center. I’ve divided my list into two categories: items deemed mandatory and those that are optional. Mandatory ü Blank paper, story paper, notebook paper ü Date stamp and ink pad ü Pencils: standard and blue or green pencils for editing ü Alphabet charts (may be on folders or adhered to desks) ü Scissors and tape ü Graphic organizers ü Editor’s checklists ü Scrap paper and supply request forms Optional ü Stapler ü Pens (often preferred over pencils) ü Crayons, colored pencils, markers ü Sticky notes ü Baby name book ü Children’s magazines ü Hole punch ü Brad fasteners ü Writing offices Why a baby name book? If you have ever asked your students to complete a story map before composing, you know that primary students have a tendency to fill in the character section with names of their friends. There’s usually a lot of hubbub as students show one another what they’ve recorded. (Think Valentine’s Day without the sugar.) This can be particularly disruptive in second grade, where the ups and downs of transitory friendships are often the undercurrent of the day, and feelings are easily hurt. But even if there was not a concern of social issues trumping writing, the main problem from a writing instructor’s point of view is that fiction that features one’s young friends quickly stalls after the introduction. Once students have listed the primary characters, the plot goes nowhere. Why? Well, for one, it’s very hard for any writer to use his or her imagination when the material is real flesh and blood. And perhaps, once the fun of selecting and listing the characters is over, the story itself loses energy. So I tell students that as an author, I never use names of people I know in my fiction. In fact, I do quite the opposite. I turn to a baby name book to find truly unique names-names that are seldom heard and will come alive on the page. (My first picture book, A Net of Stars, features Etta, Harper, and Fiona-names seldom heard where I live in the Northeast.) I place a baby name book in the writing center and suggest they try this technique. It quickly becomes one of my most dog-eared resources. (If you don’t want to invest in a baby name book, bring in an outdated phone book, which provides first and last names.) Adapted from the upcoming study gudie for No More "I’m Done!" Fostering Independent Writers in the Primary Grades by Jennifer Richard Jacobson |
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rt that encourages us to examine classroom spaces.